ROSS ROBINSON Names His Two Favorite SLIPKNOT Tracks, Remembers Warning KORN’s Guitarist About Them

The Godfather of Nü-Metal Ross Robison is responsible for producing classics like Korn‘s 1994 self-titled, Limp Bizkit‘s Three Dollar Bill, Y’all, and loads more including the first two Slipknot records.

In an interview with Revolver, Robinson said “Eyeless” and “Scissors” are his two favorite Slipknot tracks, calling them both “ruthless” a few times. And who can argue with that assessment? That whole 1999 debut album from Slipknot is front-to-back vicious as hell.

“Probably either ‘Eyeless’ or ‘Scissors’ because of their] uniqueness, and just what we captured was so fucking over the top,” said Robinson.

“I remember handing [Korn guitarist James “Munky” Shaffer] the CD and saying, ‘Dude, be careful when you press play. This is ruthless. Don’t get scared.’ I was just like, ‘This is ruthless.’ He never mentioned it after that. I don’t know what his reaction was.

“But for me in that moment, especially with those two songs, it was like, ‘Mmm, this is great.’ Because [Korn] were already onto ‘Got the Life,’ and they were the biggest band in the world at the time, doing a lot of awesome songs and hits and things. But it wasn’t ruthless.”

Robinson said in a 2022 interview with the Peer Pleasure Podcast that Slipknot was written and recorded as if nobody would ever hear it, as if the band was meant to capture a moment in time only for themselves. And as poetic as that idea is, Robinson then calls the album the “fucking heaviest thing probably I’ve ever done.”

“…The first Slipknot record; the intention wasn’t to ever think about the release. Like somehow it wasn’t going to be and we were just there together. The feeling was like ‘this is only happening here and we’re the only ones that know.’ You know? And it was to create something so hungry and so hype to make the mountain glow. Like to give back to breath, to air, to love. That’s what it feels like to me thinking about it, thinking about it.

“Fuck man, if that thing didn’t go platinum right off the bat, they wouldn’t be a band. So I knew that if you can blast the mind shut, like blank, and the heart just [explodes] and the tears come down, for me, as a listener… [I’m] just fed. Then one person that might hear it may not kill themself. Or [they] feel listened to. Or feel loved with all our hearts, everything. No toughness, no ego, all that bullshit. It’s just ‘hard is lame’ and it’s the fucking heaviest thing probably I’ve ever done—that first album.”

Robison said Slipknot was also a bit of a gamble with its heavy use of double bass drumming, which he noted nobody was really doing at the time. He later revealed that he personally funded the majority of the album (including sending guitarist Mick Thomson to the dentist) up until the mixing process began, saying it didn’t really feel like the label cared about Slipknot.

“And Roadrunner was really just not helping the situation at the time. I fronted all the studio time. I put a deposit on the studio myself. I sent Mick to the dentist and paid for it all. Like whatever it was, rehearsals, the rehearsal place, whatever it was, I fronted everything until almost ’till we started mixing. We were in the process that long after pre-production. It didn’t feel like we were supported or cared about. It’s like we were completely alone on our own island and that’s what it fucking sounded like – furious.”